Apple's '100 Best Albums' List Ignored Country Music. We'd Like A Word.

• Johnny Cash - ‘At Folsom Prison’ (1968)

  

  A truly surprising omission: Johnny Cash’s popularity always transcended country music. He started out his recording career at Sun Records alongside Elvis Presley and Carl Perkins, and his incredible ‘90s comeback came courtesy of Rick Rubin and his American Recordings label. But if we’re going to pick one album, it’s got to be this one: recorded live in early 1968 and released later that year, it’s a pretty unique recording. Cash is literally playing to a captive audience. He wasn’t judging them, he was giving them a bit of dignity back, and they obviously appreciated it. Hearing him sing “Folsom Prison Blues” to Folsom Prison inmates: it doesn’t get heavier or more powerful than that. A lot of the songs were heavy, and they surely hit differently given the location: “Dark As The Dungeon,” “I Still Miss Someone,” and “The Long Black Veil,” and “25 Minutes To Go.”

• Willie Nelson - ‘Shotgun Willie’ (1973)

  

  Of course, Willie Nelson deserves a place on a list of the best artists of all time. But when it comes to picking just one Willie album, well, that’s tough. Including all of his collaborative albums, the man has released over one hundred albums since debuting with the excellent …And Then I Wrote, back in 1962. And by the way, we considered some of his latest albums for this: if you’re not familiar with 1993’s Across The Borderline or 2004’s It Always Will Be, you need to check them out. And we almost went with Stardust, his most popular album: but it’s an album of pop standards, and we’re talking about country music here. So we’re going with 1973’s Shotgun Willie. The album saw him leaving Nashville for Austin, Texas, and signing for Atlantic Records (he was their first country artist!). The album has some of his greatest songs, including a few covers – “Whiskey River,” “Stay All Night (Stay A Little Longer)” and some of his most enduring originals, including “Sad Songs and Waltzes,” “She’s Not For You,” and, of course, the title track.

• Dolly Parton - ‘Jolene’ (1974)

  

  If there’s one country artist we’d think that the “experts” wouldn’t forget, it’s Dolly Parton, who has remained relevant in country, and in pop culture, for decades. Like Willie Nelson, she has an enormous discography. But in her case, it’s a toss-up between 1971’s Coat of Many Colors and 1974’s Jolene. We’re going to go with the latter – it has both the incredible title track, as well as a little song called “I Will Always Love You.” Given that Beyonce covered the former (with an intro by Dolly!) on Cowboy Carter, and Whitney Houston had one of the biggest hits of all time with the latter, it’s truly shocking that this album wasn’t considered. 

  
  
  

• Eric Church - Chief (2011)

  

  Critically acclaimed and commercially successful, Eric Church would have been a great pick for this list. He’s contemporary, plays concerts like a rock star (including changing up his sets and sometimes even eschewing his hits) and has been popular for nearly two decades. Chief is both his best album and his most commercially successful (it’s been certified triple platinum). His first two albums showed potential, but this is where he became a star. One of his finest moments is on this album: “Springsteen,” written in tribute to the New Jersey rock and roll legend. And like Bruce, he had party jams but also addressed more serious matters. Things get wild on songs like the Stonesy “Drink In My Hand” and “I’m Gettin’ Stoned.” But he also suffers the consequences on “Jack Daniels” and “Hungover And Hard Up.” Chief is the product of hard-earned stardom: Church didn’t become a star overnight, but he certainly put in the work to get there.

• Miranda Lambert - ‘Platinum’ (2014)

  

  Miranda’s albums tend to make mainstream publications’ “year-end” lists, so we’re surprised that she got no love here, either. And her albums really feel like albums: they are always collections of songs that work as a full-length listening experience. Again, it was difficult to decide which Miranda album would best represent her. And we almost feel guilty for choosing an album from a decade ago, when she’s put out so much incredible music in the years since. But Platinum boasts some amazing songs, both among the singles and the album tracks. The album shows how Miranda is able to be very current (“Somethin’ Bad” with Carrie Underwood, “Smokin’ and Drinkin’” with Little Big Town) but also is able to look back fondly on songs like “Automatic,” “All That’s Left” with the Time Jumpers and the NSFW “Old S—.” She looks hilariously at aging in “Gravity’s A B—-,” singing, “Got bags under your eyes, bigger hips and bigger thighs/You got places that you can’t even itch/You can nip it, tuck it, squeeze it/But you’re never gonna beat it/’Cause gravity’s a b—-!” Meanwhile, “Holding On To You” is one of her loveliest songs and should have been a massive hit. 

  
  
  

• Chris Stapleton - ‘Traveller’ (2015)

  

  Even before Stapleton’s debut album, astute country fans may have recognized his name. As a songwriter, he’d co-written songs for Kenny Chesney, Patty Loveless, Tim McGraw, Darius Rucker, George Strait, Thomas Rhett, Lee Ann Womack, Alan Jackson, Luke Bryan and Jason Aldean. But not every great songwriter has a great album in them. But in Stapleton’s case, he also happens to have the most soulful voice in country music, and he can go toe-to-toe with Brad Paisley and Keith Urban when it comes to face-melting guitar. All of that came together on Traveller, which is as close to a perfect album as you’ll find in any genre. Again, this is another instance where we’re really stunned that he wasn’t included. He’s one of the most in-demand collaborators in any genre of music: over the years, he’s worked with Justin Timberlake, Ed Sheeran, Bruno Mars, Pink, Santana, Slash and Tom Morello, to name a few. 

  
  
  

• Lainey Wilson - ‘Sayin’ What I’m Thinkin’’ (2021)

  

  The album heralded the arrival of one of country’s biggest stars. It may have seemed like an overnight success deal, but, as Lainey’s fans know, she was slugging it out in Nashville for a decade before this album hit. This album doesn’t feel like it’s from a “new” artist, even though she wasn’t well-known before 2021. Incidentally, Lainey co-wrote every song on the record. And from the singles to the deeper cuts, the album does not let up. Every song is a classic. She’s one of the most exciting artists in any genre in the 2020s, and it’s shocking that she wasn’t included in Apple’s list. They may not get it, but we do.